Since cyberspace signifies the classical object yielding to space and relation, all "landscape" is architecture, and the objects scattered upon the landscape are also architecture. Cities can exist witlun chambers as chambers may exist within cities. Cyberspace itself is architecture, but it also contains architecture, but now without constraint as to phenomenal size. It is possible to envision architecture nested within architecture. a ra11ccs and accommodations of COIIImoupla('(.: l~u wl ion,~.cllllll'rlions and associations that are webbed over and around the.Architecture, normally undcrsloocl iu 1he, "" 11'\l of lite first, conventional city, shifts to the slruclurc of rc The city, tracliliomrlh liu c'o11li11uuus city of physical proximity, becomes the discontiuuouN t'il) rtl, ul 1111 al :u1cl intellectual community. The notions of city, square, temple, i11 ,~1rlulrn11 ltttllll', urli'alltructure become permanently extended. l'lll'lll'tllu ~, 'Hllllld, it Oics in the face of the most tltt iu1plied by cyberspace.
Marcos novak architecture full#
om and to the full human sensorium, permit1ing simulatious of real and virtual realities, remote data collection and control tlu.INTRODUCTION What is cyberspace? Here is one composite definition: Cyberspace is a completely spatialized visualization of all information in global information processing systems, along pathways provided by present and future communications networks, enabling full copresence and interaction of multiple users, allowiug input aud outputli All these special conditions are more effectively reflected into a new concept, this of ?high."liquid Architectures in ( ybers pa ce " ( 19 9 1) This new essence is the result of architectural representation, in its autonomous interpretation, when it creates the meaning and the information that initially was assigned only to transmit. One can already trace definite signs of a new communicative entity, profoundly based upon the use of digital means, alongside the classic body of architecture. The issue raised is of far greater range than just the replacement of traditional means of representation. Through the growing importance of representation and the use of digital means of expression, which is obviously met in contemporary architectural discourse, one can safely suggest that in certain cases the information is created rather than treated or consumed through the procedure of digital representation. more Architectural representations do not merely realize the transmission of intervened information between the architect and his audience. All these special conditions are more effectively reflected into a new concept, this of ‘high.Īrchitectural representations do not merely realize the transmission of intervened information be. Architectural representations do not merely realize the transmission of intervened information be.
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